the relevance gap between researcher's interests and society: A proposals open to criticism

Paul Nightingale and Alister Scott from the University of Sussex at the Science Policy Research Unit  published in 2007 the article Peer review and the relevance gap: ten suggestions for policy-makers

The paper explores how academic research becomes divorced from wider society and the consequences of this for both society and academia.

They suggest 10 suggestions for policy-makers:

1. Do not fund research again that comes to the conclusion that ‘more research is needed’.
2. Funders should recognise the distinction between relevance and academic impact.
3. Within peer review, encourage and protect research that aims to be relevant and interdisciplinary, and ensure that protection is effective.
4. Stop using interdisciplinarity as a proxy for relevance and focus on relevance itself.
5. Funders should end the ‘closed shop’ whereby academics have a monopoly on research funding.
6. Funding bodies should insert explicit relevance criteria within the peer-review process, and provide guidance to reviewers on what those criteria are and how they should be treated.
7. Only fund research that shows a clear and rigorous understanding of the diverse actors involved in the field of enquiry, and their questions and needs.
8. Funding agencies should recognise that relevant research is intensive and requires long-term commitment.
9. Funding agencies should recognise the inherent limitations of ‘knowledge transfer’.
10. Policy-makers should recognise vested interests within the existing research community, and how they might invoke the three Sirens of: academic objectivity; academic autonomy; and academic quality, to avoid having to deal with relevance criteria.

Last sentence of the article: "Put a closer focus on society’s real research needs, rather than those agendas currently being defined and appropriated by a small coterie of professionals." 

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Ed Clark—Time & Life Pictures/Getty Images. View across the Pont Alexandre III bridge toward the Grand Palace, Paris, 1946.